As some of you know, I have been working on a tarot deck for Llewellyn, along with illustrator
Elisabeth Alba. (Who rocks. Seriously.) And I am happy to say that I just finished my part of the project, which included coming up with the theme, descriptions for Elisabeth to work from, and writing the book that will go with the actual deck. BOOYAH! Of course, Elisabeth's part will take a lot longer, since she has to do 78 cards in multiple stages. So don't expect to see this deck any time before next year, late-ish. In the meanwhile, though, this seemed like a perfect time to give you an update on our progress, and a sneak peek into how the process works.
Plus, of course, a giveaway, to celebrate my finishing the book!
Addendum: Elisabeth posted a little something on her blog today too, with a link back here, plus a link to a video interview she did where she talked a lot about the tarot! (And said some nice things about me.) If you want to see what she's like, go check it out. One Fantastic Week Podcast
Progress for the Six of Swords by Deborah and Elisabeth
Deborah: Elisabeth and I have
been hard at work on the tarot deck for Llewellyn – me writing the descriptions
and book that goes along with the deck, and Elisabeth illustrating. We thought
it would be fun to make some blog posts dedicated to the process, showing how I
begin by writing a description, to Elisabeth's final painted result. It's taken
us a while to get to writing this, because we've just been so busy working on
the deck! We begin with the final painting for the Six of Swords.
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| 6 of Swords |
Elisabeth: The Six of Swords is one of my favorites from the
Suit of Swords. I had taken some progress photos along the way, so we figured
this was a good one to start with! I was first given a list of all the Sword
cards and their descriptions. The description for this one was:
Picture: A black-haired witch is getting ready to fly off on her broom, two
hooded shapes perched on the broom in front of her. A blue backpack with silver
swirls on it sits on her back with six swords sticking out of it, a small black
cat is perched on top. The full moon shines overhead. She is making an arcane
gesture to summon up the wind. The mood is urgent, and a little dark, but also
hopeful.
Deborah: Here’s how I arrive at
the picture descriptions, in case you were wondering (and of course you were).
I have been reading tarot using the Rider-Waite deck for many years, and this
deck is based on the 78 cards that are in that classic. So for each card, I
would look at the original (as well as a few variations, including Barbara
Moore’s fabulous Steampunk Tarot, to see how other
people had done theirs). Then I’d consider how I usually interpret the cards
when I do a reading, which often varies from the traditional definitions. After
that, I’d consider how my interpretation would look in the retro witch style we
were using, which includes lots of witches in black hats, with brooms, black
cats, and some fairy tale elements. From that I would “visualize” the card, and
then try my best to translate that vision into instructions for Elisabeth.
Elisabeth: After reading over the descriptions, I begin
drawing small 'thumbnail' sketches to work out the composition with all the
needed elements. I usually do them in pencil first.
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| Hard to believe that she gets from this to the finished product!--Deborah |
Elisabeth: Then I scan then and put them in the card
template on Photoshop and make a better, but still rough, sketch there. This is
what I first show Deborah; the art director, Lynne Menturweck; and the acquisitions
editor, Barbara Moore.
Deborah: Sometimes (usually, in
fact) the sketch was perfect from the very first. Other times, there might be
small details that didn’t match up with what I’d had in mind, and Elisabeth and
I would email back and forth until we’d gotten the changes ironed out to both
of our satisfaction. Thankfully, our visions for the deck line up very well,
and we’ve never had a problem coming to an agreement on the best possible
arrangement.
Elisabeth: If all is well in the sketch, I take photo reference! My husband
Scott (he's also an illustrator) and I have accumulated a lot of costumes that
are great for posing in, though the only costume part visible in this photo is
the white skirt. For other cards, I've used tunics, leather armor, medieval
leather belts, cloaks, and even a sharp battle-ready sword.
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| I love this part--Deborah |
Then I work on the finished drawing, using the reference. Sometimes I draw the
figures with pencil and scan them and place them in the sketch digitally. Other
times I just draw them entirely digitally with my tablet. This one was drawn
digitally. I also do a rough digital color version at this point, so I can
figure out how I'd like to paint it.
I sent the drawing in for approval and everyone agreed that the figures in
front of the witch were too blob-like (the color version above shows their
unedited appearance), so I made a hand visible and the tips of their boots,
which helped immensely.
I then print the drawing lightly on watercolor paper. I ink
the drawing with a dip pen and black ink (Dr. Ph. Martin's Black Star matte ink
- super waterproof, strong black, flows nicely). Then I start painting! I paint
with Dr. Ph. Martin's Hydrus watercolor inks. Very saturated colors, and I can get
darker than I would with tube watercolor. They are a little harder to work with
though because they are not reworkable. Once it's on the paper, you can't take
it off. I also used gouache to get more opaque in the moon and stars.
Here it is, inked, paint started, next to the Ten of Swords which I was
painting at the same time.
Base colors down... Note - the colors are off from the original because I was
using my phone camera and didn't bother to color correct!
Then once it's painted I scan it, color correct it, do any minor digital
touch-ups, and send it off for approval! Card done! Whew! Once again, here's
the final:
Here is the Rider-Waite version:
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| Quite a difference between the original and this one, but you can see where the idea came from--Deborah |
Process comparison!
Here is the text that will go along with the card in the book, written by
Deborah, along with the card again, so you can see how it will look:
“Anyplace but here.”
Sometimes you just have to get gone. Try not to take your troubles with
you.
This witch isn’t going to spend one
more minute where she is. She’s already on her way, with only a few
necessities, because time is of the essence and sometimes it is better to get
out with nothing than to hang on to things or people that are weighing you
down. But she’s not traveling alone. It isn’t clear if she is helping her
traveling companions or if they are helping her, but either way, they are in
this together. An arcane gesture to summon the wind, and they’re off into an
unknown future. All she knows is that anyplace will be better than whatever it
is she’s leaving behind.
And now for the giveaway!!!!
I bought a number of decks to look at when I was working on this, some of which I just used the book for, and some of which I never got around to using at all. None of the decks themselves have been opened. Here are three of them. The winner will get to choose which one he or she would like to have! (And I will probably give away the others in the future, so don't despair if you don't win this time.)
All you have to do to enter is leave a comment. Tell me if you have ever used tarot cards either for fun or for serious fortune telling, or if you just like the pretty pictures. Are you looking forward to this deck? Planning to buy it when it comes out? Want more progress reports on other cards? Inquiring minds want to know.
This contest is open to everyone and will run until Friday 27th at noon EST. The lucky winner will have until the following Friday to contact me, and let me know where to send the prize. No purchase is necessary.
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