Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts
Friday, November 24, 2017
Short Short Story and Amazon Gift Card at Literary Escapism
And so it begins...
Release day for Dangerously Divine is right around the corner (Tuesday the 28th!), so I'm going to be popping up all over the Interwebs with fun things and giveaways. Today I'm kicking off the Black Friday short short story blitz at Literary Escapism with a short story about Gregori which takes place right before the events of Dangerously Divine. The poor man is trying to find the perfect Yule gifts for three Baba Yagas, their husbands, a teenage witch, and little Babs. Where on earth could he ever find something perfect for such an eclectic bunch? Find out the answer HERE
I'm also giving away a $25 Amazon gift card over at the blog, so be sure to enter the contest after you read the short story. I'd love, love, love it if you'd come back here and tell me what you thought!
Speaking of contests, don't forget to enter the one here on my blog http://deborahblake.blogspot.com/2017/11/huge-giveaway-for-dangerously-divine.html It's on through the end of the day Sunday. Or Monday. I can't remember. Either way, go enter now! (Check out the list of other giveaways on that post too.)
And the lovely Maria V. Snyder is doing a Thanksgiving giveaway of a few of her (FABULOUS) books, plus those of some of her favorite author pals. She surprised me by including a copy of Dangerously Charming as one of the giveaways. Isn't that sweet? Because the contests are for real readers, not just people who enter every contest they see, you have to answer questions to enter. But she said it was okay to tell my readers the answers, just in case they hadn't read her books (hint: you should, they're amazing). So you can use "Ari" and "Janco" or just put in "Deborah sent me" to enter. Maria's giveaway
If you haven't done it yet, you might also want to check out my new Patreon page. We're going to be doing lots of fun things over there, including a serialized never-before-seen humorous paranormal novel and monthly witchcraft classes, for people who sign up at certain levels. PATREON
But do come back here and tell me if you read the story, and if so, what you thought! Happy Black Friday all. I'm off to work at The Artisans' Guild.
Sunday, December 28, 2014
A Baba Yaga Holiday Story
Heya! I hope you all had a wonderful holiday (whichever one you celebrate).
I have a little gift for you all: here is a short holiday-themed story featuring Beka, the protagonist in WICKEDLY WONDERFUL. The lovely folks over at Literary Escapism asked me to take part in their yearly "Black Friday" month-long event, in which various authors write a short short in which one of their characters goes Christmas shopping. Of course, Beka celebrates the Winter Solstice, but it worked out anyway. Read on and see how...
I have a little gift for you all: here is a short holiday-themed story featuring Beka, the protagonist in WICKEDLY WONDERFUL. The lovely folks over at Literary Escapism asked me to take part in their yearly "Black Friday" month-long event, in which various authors write a short short in which one of their characters goes Christmas shopping. Of course, Beka celebrates the Winter Solstice, but it worked out anyway. Read on and see how...
A Baba Yaga Goes Shopping
Beka Yancy
walked through the rows of artists and craftspeople at the local street fair
and tried not to panic. It wasn’t that there weren’t plenty of beautiful things
to choose from; it was more that the two people she needed gifts for were
simply impossible to buy for.
“I hate the
holidays,” she muttered under her breath. “There’s just too much pressure.”
“Oh, please,”
her companion snorted. “This from a woman who prevented an underwater volcano
from exploding by snapping her fingers.”
Beka sighed.
It had taken a lot more than a hand gesture to stop that eruption, but she’d
learned from long experience that there was no point in arguing with Chewie,
her Chudo-Yudo. Not only was he a dragon, albeit one currently disguised as a
gigantic black Newfoundland dog, but he was also as stubborn as he was magical.
Luckily, he was also pretty laid back. Which was good, since they were in Santa
Carmelita, home of the Seriously Laid Back.
Normally,
Beka fit in with her California coast brethren just fine. To all appearances,
she was just a typical pretty blonde surfer girl with slight hippy-freak
tendencies. There was no way to tell by looking at her that she was also a Baba
Yaga, one of a small number of powerful witches who were responsible for watching
over the doorways between our world and the Otherworld, keeping the balance of
nature, and occasionally (if it couldn’t be avoided), helping out a worthy
seeker.
In fact, most
days Chewie would still be back at their travelling home, once a hut on chicken
legs but now a marginally less conspicuous converted school bus, standing guard
over the Water of Life and Death that helped to keep a Baba Yaga magically strong
and healthy. But today was different, since they had guests who could be relied
upon to keep the Water (and everything else) safe.
The very
guests, in fact, that Beka was futilely attempting to find Winter Solstice
gifts for, before she had to head back to the bus with the ingredients for a
Yuletide feast and celebration.
And it would
be a celebration, there was no mistaking that. It was a rare occasion when Beka
and her two Baba Yaga sisters, who between them watched over the territory in
the United States, managed to get together. Usually they were all too busy
putting out fires, both magical and literal (or in Bella’s case, occasionally
starting them). So this was going to be a joyous holiday celebration, shared
between the closest of friends. If only
she could find the perfect gifts.
But what on
earth did you get for two powerful witches, one of whom had been around for
eighty years (even if she only looked thirty) and tended to be, it could be
said, a tad bit cranky, and the other of whom lived in the middle of the woods
most of the time and had an unfortunate tendency to burst into flame when she
was upset?
“What about
that?” Chewie asked, pointing his large blunt head in the direction of the
booth they were passing. Thankfully, to anyone nearby, his words would just
sound like barking. There were plenty of other dogs at the street fair, so no
one would notice, although it was true that all of them were much smaller, and
most of them were on leashes. (You think it is a good idea to put a leash on a
Chudo-Yudo, you try it.)
Beka peered
into the shadowy depths of the tent and shook her head. “There is no way that I
am buying Barbara a belly dancing outfit. She’d strangle me with the jingly
belt.”
“Good point,”
Chewie said. “What about some of that nice pottery?”
She rolled
her eyes at him. “Barbara’s Airstream trailer and Bella’s modern gypsy caravan
don’t have any more room than our bus. We have to find something small and
easily stowed away. Besides, the last time we bought Barbara pottery, she threw
it at some poor passer-by who happened to ask her for directions.”
“Well, Baba
Yagas don’t like answering questions,” Chewie said. “It’s traditional.”
“Sure,” Beka
agreed. “In Russia. That guy was in
Cincinnati. How was he supposed to know she was a mythical Slavic fairy tale
witch?”
Chewie gave
the coughing growl that was his version of a laugh, and a mother moved her
child two aisles over.
“Never mind,”
Beka fingered some pretty beads and then moved on. She made jewelry, so if that
had been the answer, she would have just given Barbara and Bella a necklace
each and been done with it. Sadly, neither of them was the “cool sparkly stuff’
type. “ Just help me find something they’ll like. We have to get back to the
bus soon. I told them I had to pick up a few things for dinner because I didn’t
know they were coming until the last minute. If we take too long, they’ll get
suspicious.”
It was silly,
she knew, to want so much for the holiday to be perfect, but they had all been
raised by the Baba Yagas who had found them as children and realized that their
magical potential would make them suitable as replacements. They were the
closest thing to family any of them had, and it was a rare Yule when they could
all be together. The solstice was a magical time, even in a part of the country
that had glistening beach sand instead of snow. Beka was determined to make it
a celebration to remember. She’d already picked up all the fixings for a
fabulous dinner, and as usual, Barbara had brought along some amazing wine and
Bella had baked a pie. All she needed was to find two perfect gifts.
“What about
those nice woven straw hats?” the dragon-dog asked. He was chewing on a large
hotdog. Beka decided it would be better not to ask him where he’d gotten it.
“A straw
hat?”
“Bella is a
redhead,” Chewie said. “It will keep her from getting freckles on that cute
little nose.”
“She spends
most of her time in the woods,” Beka said. “She doesn’t need a hat. And straw
probably isn’t the best choice for a woman who occasionally has sparks coming
out of her fingertips when she isn’t paying attention.”
Chewie didn’t
look impressed by that argument, but since he had a bit of an accidental flame
issue himself, he wouldn’t. “Fine,” he said. “But you have to pick something.
I’m getting hungry.”
“You’re
always hungry,” Beka said, admiring more than complaining.
“I’m very
large,” he said.
“Yes, yes you
are,” she agreed, patting him affectionately on his massive head.
Then she saw
something that made her stop in her tracks, causing Chewie to almost knock her
over as he bumped into the back of her legs.
“Oh,” she
said, putting one hand to her mouth. “I don’t believe it.”
She walked
slowly over to a small, slightly ragged booth on the outskirts of the
gathering. The tent had seen better days; its canopy listed decidedly to the
right, and there were places where it had clearly been mended more than once.
It was more beige than white, and its metal poles were bent and crooked, much
like the old woman who sat at the table inside, a shawl wrapped around her
shoulders even though the day was reasonably warm.
Her wares
were set out on a faded flower-embroidered cloth, instead of a fancy display,
but neither the surroundings nor the lack of embellishment could take away from
the simple beauty of the objects on the table.
“Are those
matryoskas?” Beka asked, gazing at the hand-painted face on a wooden doll. The
details of the simple cylindrical figure was elaborately drawn and stunningly
detailed, from the gleaming amber eyes to the ebony tresses and the lacy black dress
that adorned the figure. The one Beka reached for was painted in darker colors,
but there was one sitting next to it which bore the image of a red-haired woman
wearing a gown of vibrant green. They were elegant and old-fashioned and a
little mysterious. In short, they were perfect.
“They are,”
the woman said, showing worn teeth in a pleased smile. “You know of Russian
nesting dolls?” She had a trace of an accent, musical and exotic despite her
drab surroundings. She lifted the top doll to show the smaller ones underneath,
each slightly different but still meticulously painted.
“I do,” Beka
breathed. “But I never expected to find one here.”
The woman
laughed, a merry sound that made her wrinkles dance. “They are far from home,
it is true. As am I. But my mother made ones like these, as did her mother
before her. I suppose I should try to sell something more modern, but it is
hard to change when one gets older.”
“I have a friend
who would agree with you,” Beka said with a grin. “But I think these are
fabulous, and they are just what I have been looking for. I’d like to buy these
two, the dark one and the red.”
The old
woman’s eyes widened beneath slightly bushy gray brows. “Both?” she said. “They
are a little dear, I’m afraid. Perhaps more than you wish to spend.” She
sounded resigned, as though she’d spent a long day telling people the price of
her beautiful dolls, only to have them turn and walk away.
“And so they
should be,” Beka said indignantly. “I’m sure each one took you days to paint.
Maybe weeks.”
Chewie woofed
in agreement, making the woman’s eyes widen even further.
“Besides,”
Beka said. “There is no price too much to pay for the perfect gift for the
truest of friends.” She put her hand into her pocket for her purse and then
hesitated, wiggling her fingers instead to magically reach into her stash back
at the bus, so that when her hand reemerged, it held a soft velvet pouch. She
handed it to the old lady. “I think this should be enough, but why don’t you
check.”
The woman
opened the pouch and peered inside, then gazed up at Beka in amazement.
Apparently no one had ever given her a bag full of ancient gold coins before.
“Are they
real?” she asked, one gnarled finger reaching inside to touch them.
“As real as
your talent,” Beka said quite firmly. If there was one thing a Baba Yaga knew,
it was the importance of giving a fair trade. All the fairy tales said so.
“Then it is
too much,” the old woman said. “Far too much.”
“If you could
see the look on my friends’ faces when I give them these, you would know that I
have gotten the better part of the deal,” Beka said, her heart filled with joy
as the woman wrapped her perfect gifts in crinkling gold tissue paper.
“Wait,” she
said, as the woman handed over her purchases. “You put three dolls in here. I
only bought two.”
“The other is
for you,” the woman said with a knowing smile and just the hint of a wink. “I
knew I painted that one with the beautiful yellow hair for someone special. I
just didn’t know how special when I made her.”
Beka nodded,
the bargain accepted. “A blessed solstice to you,” she said.
“And to you,
Baba Yaga. A blessed solstice to you and yours.”
Saturday, March 24, 2012
NEW Short Story WITCH UPON A STAR
Witch Upon a Star is a short story that follows the events in my paranormal romance novel, WITCH EVER WHEN YOU CAN. For those of you who read the book and asked "what happens next?" here is the answer! (Or at least part of it.)
And the good news? It is only $.99 -- FREE if you have Amazon Prime! Whoo hoo!
Here's a brief description of the story:
What could be worse than having your sexy actor boyfriend phone to cancel your long-awaited weekend together? Having to call on the mystical power you swore you’d never use again and praying to the goddess that it will help him save a mysteriously failing wetlands.
Deirdre would do anything for Rob. And she’d do anything for Mother Nature, since she’s a Wiccan. But maybe they’re both asking more than she can give. Unfortunately, there’s only one way to find out.
The story of the Star Stone continues…
If you weren't sure if you wanted to fork out a whole $2.99 for the novel, for less than a buck you can check out the short story and see if you want to read more...
I'd really love to have a GREAT first week with this book (believe it or not, these things matter with Amazon ratings and such), so PRETTY PLEASE spread the word to all your friends. Where else can you get something so cool for less that a dollar?
Hey--why are you still here reading this when you could be reading the short story? Follow the link below to check it out. And thanks as always for your support.
Witch Upon a Star on Amazon
And here is the novel, if you read the short story and can't wait to see how Deirdre's and Rob's adventures began...
WITCH EVER WAY YOU CAN on Amazon
Happy reading :-)
Monday, October 13, 2008
Interview with C. S. MacCath
Here is my interview with the wonderful C. S. MacCath, my co-writer in The Pagan Fiction Anthology:
You were a finalist in the Pagan Fiction Award contest. How did you come to write a pagan-based short story, and is much of you other work pagan as well?
I've been writing short stories with Pagan elements throughout my writing career. For me, Pagan fiction isn't so much a genre like speculative fiction, horror or mystery as it is an application of our particular world-view to storytelling. Having said that, all of the fiction I've written has been Pagan-themed, either explicitly, as in the case of "From Our Minds to Yours," or implicitly, as in the case of "The Longest Road in the Universe," which is forthcoming in Murky Depths next March.
I think it's healthy for the literary community to be exposed to Pagan themes in what it publishes and reads. They allow a safe place of entry into Paganism that can be accessed from the private relationship between the reader and the text. From there, tolerance might follow. So though I try not to be didactic about the inclusion of my faith in my work, it's usually always on my mind when I write, and I hope it reads well for Pagans and non-Pagans alike.
How long have you been writing, and where can people find your work other than the Anthology?
I've been writing since I could pick up a pen, but I've only been publishing my work with regularity in paying markets since 2004. My bibliography can be found at: www.csmaccath.com/view/csmbiblio and from there, folks can look for what they want to read in the appropriate places. A recently published story that might be of interest to Pagan readers is "Akhila, Divided," which can be found in Clockwork Phoenix: Tales of Beauty and Strangeness, edited by Mike Allen. It's a science fantasy war story set in the far future at a monastery where various denominations of Paganism are practiced in combination with other faiths.
Your short story, "From Our Minds to Yours," is a disturbing look at a possible near-future scenario. How did you get the idea, and do you really think it could happen?
My husband brought the idea home to me one afternoon while he was in college a few years ago. He had been taking a course called "Computers, Ethics and Society" and was reading a book entitled Database Nation: The Death of Privacy in the 21st Century, by Simson Garfinkel. I believe he asked me, "What do you think would happen if people could become physically addicted to products?" After the long philosophical conversation that followed, I read the book as well, and then I did some research into current applications of nanotechnology. "From Our Minds to Yours" was the natural outgrowth of those things.
I wrote the story with the feasibility of the plot in mind. Right now, nanotechnology is used in everything from water reclamation to clothing manufacture. Given the current interpretation of Moore's Law, that the size and/or speed and/or functionality of a piece of technology doubles every eighteen months, and given a modest effort on the part of corporate lobbyists to legalize the relationship between nanotechnology and advertising, yeah, I think it's an absolutely realistic scenario in the next 25-50 years.
What would readers be surprised to learn about you?
I was born and raised a Jehovah's Witness.
You were able to go to Pantheacon for the presentation of the awards. What was your favorite aspect of the convention? [For readers who don't know, Panthecon is a huge pagan gathering held every February is San Jose, CA]
I very much enjoyed the oracular seidh hosted by Diana Paxson on Saturday night. I've been practicing various forms of divination for twenty-three years but have never encountered that particular configuration of group journey work and team divination before. I told Ms. Paxson afterward that it was interesting to see the weave between Michael Harner-esque shamanic practice and Northern European lore. And the seidh-workers themselves were remarkable, both in their stamina and in their accuracy.
Aside from your own, what was your favorite story in the Anthology and why?
I loved April's "A Valkyrie Among Jews," which placed first in the contest. I thought she juxtaposed Judaism with Paganism effectively, addressed some serious questions about the relationships between Pagans and non-Pagans and spoke to the transition between life and death both mythically and mundanely. It was a kick-ass story that was relevant to modern people of all faiths, and I hope it finds its way into the hands of folks who might need that safe place of entry into Paganism I mentioned before.
What are you working on these days and where can people contact you if they have more questions?
I'm currently working on a novel entitled Twilight of the World Sea People. It's the first novel in a trilogy entitled World Sea Legacy, which is itself part of a three trilogy/nine-novel space opera entitled Petals of the Twenty Thousand Blossom. I've pretty much ceased production at present on any short stories for the sake of the novels, but I'm hoping to write a few by the end of next year for a collection I'm piecing together entitled Spirit Boat. We'll see how that goes, though. Folks can contact me by using the contact form at www.csmaccath.com/contact, which drops messages into my primary e-mail account.
You were a finalist in the Pagan Fiction Award contest. How did you come to write a pagan-based short story, and is much of you other work pagan as well?
I've been writing short stories with Pagan elements throughout my writing career. For me, Pagan fiction isn't so much a genre like speculative fiction, horror or mystery as it is an application of our particular world-view to storytelling. Having said that, all of the fiction I've written has been Pagan-themed, either explicitly, as in the case of "From Our Minds to Yours," or implicitly, as in the case of "The Longest Road in the Universe," which is forthcoming in Murky Depths next March.
I think it's healthy for the literary community to be exposed to Pagan themes in what it publishes and reads. They allow a safe place of entry into Paganism that can be accessed from the private relationship between the reader and the text. From there, tolerance might follow. So though I try not to be didactic about the inclusion of my faith in my work, it's usually always on my mind when I write, and I hope it reads well for Pagans and non-Pagans alike.
How long have you been writing, and where can people find your work other than the Anthology?
I've been writing since I could pick up a pen, but I've only been publishing my work with regularity in paying markets since 2004. My bibliography can be found at: www.csmaccath.com/view/csmbiblio and from there, folks can look for what they want to read in the appropriate places. A recently published story that might be of interest to Pagan readers is "Akhila, Divided," which can be found in Clockwork Phoenix: Tales of Beauty and Strangeness, edited by Mike Allen. It's a science fantasy war story set in the far future at a monastery where various denominations of Paganism are practiced in combination with other faiths.
Your short story, "From Our Minds to Yours," is a disturbing look at a possible near-future scenario. How did you get the idea, and do you really think it could happen?
My husband brought the idea home to me one afternoon while he was in college a few years ago. He had been taking a course called "Computers, Ethics and Society" and was reading a book entitled Database Nation: The Death of Privacy in the 21st Century, by Simson Garfinkel. I believe he asked me, "What do you think would happen if people could become physically addicted to products?" After the long philosophical conversation that followed, I read the book as well, and then I did some research into current applications of nanotechnology. "From Our Minds to Yours" was the natural outgrowth of those things.
I wrote the story with the feasibility of the plot in mind. Right now, nanotechnology is used in everything from water reclamation to clothing manufacture. Given the current interpretation of Moore's Law, that the size and/or speed and/or functionality of a piece of technology doubles every eighteen months, and given a modest effort on the part of corporate lobbyists to legalize the relationship between nanotechnology and advertising, yeah, I think it's an absolutely realistic scenario in the next 25-50 years.
What would readers be surprised to learn about you?
I was born and raised a Jehovah's Witness.
You were able to go to Pantheacon for the presentation of the awards. What was your favorite aspect of the convention? [For readers who don't know, Panthecon is a huge pagan gathering held every February is San Jose, CA]
I very much enjoyed the oracular seidh hosted by Diana Paxson on Saturday night. I've been practicing various forms of divination for twenty-three years but have never encountered that particular configuration of group journey work and team divination before. I told Ms. Paxson afterward that it was interesting to see the weave between Michael Harner-esque shamanic practice and Northern European lore. And the seidh-workers themselves were remarkable, both in their stamina and in their accuracy.
Aside from your own, what was your favorite story in the Anthology and why?
I loved April's "A Valkyrie Among Jews," which placed first in the contest. I thought she juxtaposed Judaism with Paganism effectively, addressed some serious questions about the relationships between Pagans and non-Pagans and spoke to the transition between life and death both mythically and mundanely. It was a kick-ass story that was relevant to modern people of all faiths, and I hope it finds its way into the hands of folks who might need that safe place of entry into Paganism I mentioned before.
What are you working on these days and where can people contact you if they have more questions?
I'm currently working on a novel entitled Twilight of the World Sea People. It's the first novel in a trilogy entitled World Sea Legacy, which is itself part of a three trilogy/nine-novel space opera entitled Petals of the Twenty Thousand Blossom. I've pretty much ceased production at present on any short stories for the sake of the novels, but I'm hoping to write a few by the end of next year for a collection I'm piecing together entitled Spirit Boat. We'll see how that goes, though. Folks can contact me by using the contact form at www.csmaccath.com/contact, which drops messages into my primary e-mail account.
Sunday, September 28, 2008
An Interview with Author Alex Bledsoe
I was lucky enough to be able to interview my fellow-author, Alex Bledsoe, who also has a story in The Pagan Anthology of Short Fiction. Here it is. I hope you enjoy it. An interview with C. S. MacCath will follow next week!
DB: How long have you been writing short stories and is this your first pagan story?
AB: I've been seriously writing since 1996; and my first published story, "The Chill in the Air Wakes the Ghosts Off the Ground," was actually a pagan-themed story, although that wasn't a primary consideration at the time. In the nineties I had several pagan stories published in PanGaia magazine, and have also been published in The Wheel, Five Feathers (South Africa) and Dragonswood (UK).
DB: What draws you to write about pagans and how did you get the idea for the story in the anthology?
AB: I found the pagan view of the world to be amenable to my own, and it allowed me to deal with issues and topics that fascinate me in a way that might surprise the reader. Respect for nature, balance between men and women, and a direct relationship with a higher power free of institutionalized dogma are all things I believed in *before* I knew about paganism, and within these ideas are plenty of places for conflict with traditional society's values. That's usually where my stories come from.
When I heard about the anthology I knew I wanted to submit something, and I asked myself, "What's the *least* likely genre to have a pagan-themed story?" I decided the answer was a Western, so I challenged myself to write one that was both a traditional "oater" with a sheriff, a gunslinger and a showdown on main street, and that also brought in pagan ideas to generate the conflict.
DB: Your story takes place in the Old West, but in a very nontraditional way. You tend to write work that combines genres in an unconventional way, like your novel The Sword-Edged Blonde, which mixes sword and sorcery fantasy with the noir detective novel (quite successfully, I might add). How do you pull off such unusual pairings and what draws you to this approach?
AB: Usually it's a variant of the question I mentioned above: What's the least likely way to tell a particular story? The Sword-Edged Blonde started out as a straight epic fantasy, but it was too traditional, too average if you will, to come alive that way. So I thought, what's the most unusual way to tell this story, and decided to write it as a forties pulp detective novel, keeping the high fantasy setting. (The sequel, Burn Me Deadly, continues that approach). When I wrote my vampire novel Blood Groove, I had a story that technically could've worked in a contemporary setting, but had no real spark to it. So I backed it up to 1975, which put it before Anne Rice revolutionized the public idea of the vampire and allowed me to work with the vampire archetypes that spoke to me (Stoker, Hammer, etc.) free of any post-Rice irony.
DB: What can people expect from you next?
AB: Blood Groove will be released by Tor in the spring of 2009. The following fall, Burn Me Deadly (also from Tor) hits shelves. And a couple of other projects are making the rounds.
DB: How long have you been writing short stories and is this your first pagan story?
AB: I've been seriously writing since 1996; and my first published story, "The Chill in the Air Wakes the Ghosts Off the Ground," was actually a pagan-themed story, although that wasn't a primary consideration at the time. In the nineties I had several pagan stories published in PanGaia magazine, and have also been published in The Wheel, Five Feathers (South Africa) and Dragonswood (UK).
DB: What draws you to write about pagans and how did you get the idea for the story in the anthology?
AB: I found the pagan view of the world to be amenable to my own, and it allowed me to deal with issues and topics that fascinate me in a way that might surprise the reader. Respect for nature, balance between men and women, and a direct relationship with a higher power free of institutionalized dogma are all things I believed in *before* I knew about paganism, and within these ideas are plenty of places for conflict with traditional society's values. That's usually where my stories come from.
When I heard about the anthology I knew I wanted to submit something, and I asked myself, "What's the *least* likely genre to have a pagan-themed story?" I decided the answer was a Western, so I challenged myself to write one that was both a traditional "oater" with a sheriff, a gunslinger and a showdown on main street, and that also brought in pagan ideas to generate the conflict.
DB: Your story takes place in the Old West, but in a very nontraditional way. You tend to write work that combines genres in an unconventional way, like your novel The Sword-Edged Blonde, which mixes sword and sorcery fantasy with the noir detective novel (quite successfully, I might add). How do you pull off such unusual pairings and what draws you to this approach?
AB: Usually it's a variant of the question I mentioned above: What's the least likely way to tell a particular story? The Sword-Edged Blonde started out as a straight epic fantasy, but it was too traditional, too average if you will, to come alive that way. So I thought, what's the most unusual way to tell this story, and decided to write it as a forties pulp detective novel, keeping the high fantasy setting. (The sequel, Burn Me Deadly, continues that approach). When I wrote my vampire novel Blood Groove, I had a story that technically could've worked in a contemporary setting, but had no real spark to it. So I backed it up to 1975, which put it before Anne Rice revolutionized the public idea of the vampire and allowed me to work with the vampire archetypes that spoke to me (Stoker, Hammer, etc.) free of any post-Rice irony.
DB: What can people expect from you next?
AB: Blood Groove will be released by Tor in the spring of 2009. The following fall, Burn Me Deadly (also from Tor) hits shelves. And a couple of other projects are making the rounds.
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