Tarot Deck Update and Announcements!

Cross-posted by Deborah and Elisabeth:

As many of you know, we (author Deborah Blake and illustrator Elisabeth Alba) have been working all year on a tarot deck for Llewellyn Worldwide. There was an important meeting at Llewellyn this week and we have a few exciting things to announce. First off, we finally have A TITLE!

Introducing…EVERYDAY WITCH TAROT (and its accompanying book, The Guide to the Everyday Witch Tarot). Ta da!

The book cover will feature the High Priestess card:

 And the kit cover will be the Judgment card:

This is what Elisabeth looked like after finally finishing the last painting!
 

The deck will be out in January 2017, a little over a year from now. We can’t wait!
 

For those of you who are impatient to get this deck (and who could blame you), Elisabeth and I will be posting an occasional "sneak peek" until it is released.

 So, anyone else excited too?

P.S. -- For the tarot lovers among you, I saw that Llewellyn has a big tarot sale on right now. You might want to go take a look, even though you won't be able to get this one for a year. Llewellyn Tarot Sale 

 

Tarot Deck Progress Report Part Two

THE KING OF PENTACLES

Deborah: As most of you know, I have been working on a great tarot project for Llewellyn with illustrator Elisabeth Alba. We thought it would be fun to make some blog posts dedicated to the process, showing how I begin by writing a description, to Elisabeth's final painted result. Last time we did the Six of Swords (http://deborahblake.blogspot.com/2015/02/tarot-deck-progress-report-and-giveaway.html). Today, we're looking at the King of Pentacles.

The description for this one was:

Picture: An older sage with gray-streaked dark hair sits on a throne-like chair outside; he looks powerful and strong. Behind him in the distance, you can see a prosperous looking manor house. To his left stands a bull wearing a garland of flowers, and to his right, a white hound reclines at his feet with a large bone. He is holding a chocolate cake with a pentacle on top in one hand, in the other hand is a goblet filled with wine. Grape vines are growing up his chair. He wears a green cloak over brown tunic and pants that are decorated with green ferns or leaves and a simple circlet crown with a pentacle in the front. The mood is one of strength and prosperity.

Deborah: I send the description to Elisabeth, and then she starts the magic of transforming my words into art!

Elisabeth: I usually begin with very rough small pencil sketches, trying to work out the overall composition.

Elisabeth: I scanned those, and place the sketch I like best into the card template. I then digitally create a better, more detailed sketch! I send this to Deborah; the art director, Lynne Menturweck; and the acquisitions editor, Barbara Moore. This one didn't require any revisions! Sometimes they do.

Elisabeth: Once the sketch is approved, it's time to take photo reference. My husband Scott (he's also an illustrator) posed as the King of Pentacles.

Deborah: Scott is so cute! I love the way Elisabeth uses him (and sometimes herself) to create poses for the cards.

I work on the finished drawing using my reference. In the background, the manor house had to look like the one included in the Knight and 10 of Pentacles cards, so I had to design a house and make sure it looked like the same house in each! Here is the finished drawing and a digitally colored version. I like to figure out how I'm going to color and shade it before painting it.

Once again, I make sure to get approval on the drawing before I paint it. I print the drawing lightly on watercolor paper and ink it with a dip pen. I watered down the ink a bit so that the background line work would be grey and more atmospheric. Then I start painting, using my digital color version as a guide!
 

More painting progress...

Once it's painted I scan it, color correct it, do any minor digital touch-ups, and send it off for approval. Here's the final result!

Here is the Rider-Waite version, for comparison:

The process all in one!

Here is the text that will go along with the card in the book, written by Deborah:

“The world is your oyster. Or possibly, your chocolate cake.”
Work hard, do good for others, and all will be well.

The King of Pentacles represents prosperity and abundance, but more than that, his strength comes from being strongly rooted in his own success and the success of those around him. The King can represent your own financial situation or he can indicate a strong male figure who is willing to help you achieve prosperity and security, whether on the job or at home.

Things to consider: The Kings are all strong male figures, but that doesn’t mean that a King card can’t represent a woman, although it is less common. If this card falls at a place in the reading where it stands for you, it indicates that your focus is on success and money. This isn’t a bad thing, but be careful not to let your desire for security or nice belongings sweep you away. If there is a King figure in your life—husband, father, boss—are you taking full advantage of the gifts he is offering you? And is what he offers truly what you want?

Deborah: Well? What do you all think? Are you enjoying seeing our progress? Do you like the cards? If you use tarot, do you think you would find these useful? Inquiring minds want to know.

(And don't forget to enter the current giveaway for a print copy of Circle, Coven & Grove plus a great candle sconce by Mickie Mueller! It's still on for a couple of days. http://deborahblake.blogspot.com/2015/03/circle-coven-grove-giveaway-anniversary.html

Tarot Deck Progress Report and Giveaway!

As some of you know, I have been working on a tarot deck for Llewellyn, along with illustrator Elisabeth Alba. (Who rocks. Seriously.) And I am happy to say that I just finished my part of the project, which included coming up with the theme, descriptions for Elisabeth to work from, and writing the book that will go with the actual deck. BOOYAH! Of course, Elisabeth's part will take a lot longer, since she has to do 78 cards in multiple stages. So don't expect to see this deck any time before next year, late-ish. In the meanwhile, though, this seemed like a perfect time to give you an update on our progress, and a sneak peek into how the process works.

Plus, of course, a giveaway, to celebrate my finishing the book!

Addendum: Elisabeth posted a little something on her blog today too, with a link back here, plus a link to a video interview she did where she talked a lot about the tarot! (And said some nice things about me.) If you want to see what she's like, go check it out. One Fantastic Week Podcast

Progress for the Six of Swords by Deborah and Elisabeth

Deborah: Elisabeth and I have been hard at work on the tarot deck for Llewellyn – me writing the descriptions and book that goes along with the deck, and Elisabeth illustrating. We thought it would be fun to make some blog posts dedicated to the process, showing how I begin by writing a description, to Elisabeth's final painted result. It's taken us a while to get to writing this, because we've just been so busy working on the deck! We begin with the final painting for the Six of Swords.

6 of Swords

Elisabeth: The Six of Swords is one of my favorites from the Suit of Swords. I had taken some progress photos along the way, so we figured this was a good one to start with! I was first given a list of all the Sword cards and their descriptions. The description for this one was:

 Picture: A black-haired witch is getting ready to fly off on her broom, two hooded shapes perched on the broom in front of her. A blue backpack with silver swirls on it sits on her back with six swords sticking out of it, a small black cat is perched on top. The full moon shines overhead. She is making an arcane gesture to summon up the wind. The mood is urgent, and a little dark, but also hopeful.

Deborah: Here’s how I arrive at the picture descriptions, in case you were wondering (and of course you were). I have been reading tarot using the Rider-Waite deck for many years, and this deck is based on the 78 cards that are in that classic. So for each card, I would look at the original (as well as a few variations, including Barbara Moore’s fabulous Steampunk Tarot, to see how other people had done theirs). Then I’d consider how I usually interpret the cards when I do a reading, which often varies from the traditional definitions. After that, I’d consider how my interpretation would look in the retro witch style we were using, which includes lots of witches in black hats, with brooms, black cats, and some fairy tale elements. From that I would “visualize” the card, and then try my best to translate that vision into instructions for Elisabeth.

Elisabeth: After reading over the descriptions, I begin drawing small 'thumbnail' sketches to work out the composition with all the needed elements. I usually do them in pencil first.

Hard to believe that she gets from this to the finished product!--Deborah

Elisabeth: Then I scan then and put them in the card template on Photoshop and make a better, but still rough, sketch there. This is what I first show Deborah; the art director, Lynne Menturweck; and the acquisitions editor, Barbara Moore.

Deborah: Sometimes (usually, in fact) the sketch was perfect from the very first. Other times, there might be small details that didn’t match up with what I’d had in mind, and Elisabeth and I would email back and forth until we’d gotten the changes ironed out to both of our satisfaction. Thankfully, our visions for the deck line up very well, and we’ve never had a problem coming to an agreement on the best possible arrangement.

Elisabeth: If all is well in the sketch, I take photo reference! My husband Scott (he's also an illustrator) and I have accumulated a lot of costumes that are great for posing in, though the only costume part visible in this photo is the white skirt. For other cards, I've used tunics, leather armor, medieval leather belts, cloaks, and even a sharp battle-ready sword.

I love this part--Deborah

Then I work on the finished drawing, using the reference. Sometimes I draw the figures with pencil and scan them and place them in the sketch digitally. Other times I just draw them entirely digitally with my tablet. This one was drawn digitally. I also do a rough digital color version at this point, so I can figure out how I'd like to paint it.

I sent the drawing in for approval and everyone agreed that the figures in front of the witch were too blob-like (the color version above shows their unedited appearance), so I made a hand visible and the tips of their boots, which helped immensely.

I then print the drawing lightly on watercolor paper. I ink the drawing with a dip pen and black ink (Dr. Ph. Martin's Black Star matte ink - super waterproof, strong black, flows nicely). Then I start painting! I paint with Dr. Ph. Martin's Hydrus watercolor inks. Very saturated colors, and I can get darker than I would with tube watercolor. They are a little harder to work with though because they are not reworkable. Once it's on the paper, you can't take it off. I also used gouache to get more opaque in the moon and stars.

Here it is, inked, paint started, next to the Ten of Swords which I was painting at the same time.

Base colors down... Note - the colors are off from the original because I was using my phone camera and didn't bother to color correct!

Then once it's painted I scan it, color correct it, do any minor digital touch-ups, and send it off for approval! Card done! Whew! Once again, here's the final:

Here is the Rider-Waite version:

Quite a difference between the original and this one, but you can see where the idea came from--Deborah

Process comparison!

Here is the text that will go along with the card in the book, written by Deborah, along with the card again, so you can see how it will look:

“Anyplace but here.”

Sometimes you just have to get gone. Try not to take your troubles with you.

This witch isn’t going to spend one more minute where she is. She’s already on her way, with only a few necessities, because time is of the essence and sometimes it is better to get out with nothing than to hang on to things or people that are weighing you down. But she’s not traveling alone. It isn’t clear if she is helping her traveling companions or if they are helping her, but either way, they are in this together. An arcane gesture to summon the wind, and they’re off into an unknown future. All she knows is that anyplace will be better than whatever it is she’s leaving behind.

And now for the giveaway!!!! 

I bought a number of decks to look at when I was working on this, some of which I just used the book for, and some of which I never got around to using at all. None of the decks themselves have been opened. Here are three of them. The winner will get to choose which one he or she would like to have! (And I will probably give away the others in the future, so don't despair if you don't win this time.)

All you have to do to enter is leave a comment. Tell me if you have ever used tarot cards either for fun or for serious fortune telling, or if you just like the pretty pictures. Are you looking forward to this deck? Planning to buy it when it comes out? Want more progress reports on other cards? Inquiring minds want to know.

This contest is open to everyone and will run until Friday 27th at noon EST. The lucky winner will have until the following Friday to contact me, and let me know where to send the prize. No purchase is necessary.

 

The Tarot Deck: More from Illustrator Elisabeth Alba

As promised, there will be regular updates about the tarot deck project. Here is a link to illustrator Elisabeth Alba's own first blog post about the project Elisabeth's Blog

And here is a fabulous video featuring Elisabeth and her brand-new husband, talking about how they help each other with art and inspiration. If you watch carefully, you can get sneak peek's at some of the other cards, and see her working on the ones I showed you here!